January and February Haiku News

A month and a half into 2018 already. I wish I could tell you that I’ve been writing my ass off. Unfortunately, I haven’t been writing much. Submission deadlines are coming and going, and I’ve got nothing.¬†Despite the drought, I do have some news to share.

In early January the editors of The Heron’s Nest accepted a haiku of mine for the March issue.

kjmunro, editor of the new haiku column at The Haiku Foundation called windows, accepted and published a one-liner of mine for the very first installment of the column. The theme for that installment was the kitchen window.  Here is my contribution:

my mother in every kitchen window

I’ve also had two haiku reprinted. Late in 2017 a haiku of mine that appears in the essay 100 Years of Haiku in the United States: An Overview by Jim Kacian was published in a book of essays on the development of English-language haiku called American Haiku: New Readings (Lexington Books, 2017), edited by Toru Kiuchi.

one of the wolves
shows its face
firelight

The other reprint is a haiku from last year that appears in old song: The Red Moon Anthology of English-Language Haiku 2017 (Red Moon Press, 2018). This haiku originally appeared in The Heron’s Nest:

prairie storm
the darkness disperses
as buffalo

On Valentine’s Day, The Heron’s Nest announced its Readers’ Choice Awards. The haiku I published in The Heron’s Nest in 2017 received enough votes to place me among “other popular poets”. Many thanks to those who gave my haiku some votes.

And finally, my very first chapbook of haiku, Pop Bottles, is now sold out. I will probably reprint it in some way in the future, but I haven’t yet made any decisions on that yet.

That’s all for now. Hopefully I can kickstart the writing and have some acceptances soon.

All poems copyright Chad Lee Robinson

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