Rewind: Haiku Highlights from 2016

I’ve been having a hard time saying what I want to say about 2016. I accomplished some great things with my haiku writing, but the echo of certain failures from year to year are starting to get to me. So I will do my best to keep any negative feelings I’m holding right now out of this highlight reel and keep this as straight forward as I can.

I published 38 new poems (37 haiku and senryu, and 1 tanka) in the following places: Acorn, Akitsu Quarterly, bottle rockets, Failed Haiku, Frogpond, Haikuniverse, hedgerow, The Heron’s Nest, A Hundred Gourds, Mariposa, Otata, Sonic Boom, Under the Basho, and Upstate Dim Sum.  Six of these places I published in for the first time in 2016: Failed Haiku, Haikuniverse, hedgerow, Otata, Sonic Boom, and Upstate Dim Sum.

I republished some poems this year in the following places: galaxy of dust: The Red Moon Anthology of English-Language Haiku 2015 (Red Moon Press, 2016); naad anunaad: an anthology of contemporary world haiku (Vishwakarma Publications, 2016); Full of Moonlight: Haiku Society of America Members’ Anthology 2016 (Haiku Society of America, 2016), The Haiku Calendar 2017 (Snapshot Press, 2016); Charlotte Digregorio’s Writers’ Blog; and in two columns at The Haiku Foundation: Haiku in the Workplace and reVirals.

I did receive some awards in 2016. I had one winner and one runner-up in Snapshot Press’s Haiku Calendar Competition. It’s always an honor to be included in that one. Also I was one of the “other popular poets” in The Heron’s Nest Readers’ Choice Awards, and I had a poem in the “other popular poems” part of those same awards. And this one-liner of mine

in a rush to reach stillness whitewater

was shortlisted for a Touchstone Award for Individual Poems from The Haiku Foundation.

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On top of that, my book The Deep End of the Sky (Turtle Light Press, 2015) received second place in the Haiku Society of America Merit Book Awards for 2016. Not too shabby.

 

 

Placing in the Merit Book Awards is definitely one I can cross off the haiku bucket list. But so is being the Route 9 Haiku Group’s guest poet in Upstate Dim Sum. When I scan the list of previous guest poets, I don’t really feel like I should be among such an outstanding group of haiku poets, but I am honored and grateful and excited to be there.

Looking forward to 2017, I have one haiku accepted for publication in Modern Haiku. And I have yet to find out if any of my work has been voted into the next Red Moon Anthology, so fingers crossed I will have work voted in.

I am grateful to (still) be writing and publishing. I appreciate every opportunity I had in 2016, and hope 2017 will bring many more haiku moments to share.

Happy New Year

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Haiku in the Workplace

Jim Kacian’s new column over at The Haiku Foundation explores the workplace in haiku. The theme for this week’s installment is “the boss”. Read the column here, and be sure to read through  the haiku at the end of the column which includes this one of mine:

singing to me
a honey-do list —
morning meadowlark

Chad Lee Robinson, A Hundred Gourds 5:3, 2016

Many thanks to Jim Kacian for including my haiku.

Two New Haiku Published in A Hundred Gourds

I am pleased to announce the publication of two new haiku in A Hundred Gourds 5:3, June 2016.

This is the final issue of A Hundred Gourds. I am fortunate, and grateful, to have had so many poems published there over the last five years. Thank you, Lorin Ford, for providing a good home to some of my haiku.

Here is a list of all the issues of A Hundred Gourds that include my work.

setting sun …
a bird dog’s bark
empties the cattails

singing to me
a honey-do list –
morning meadowlark

haiku by Chad Lee Robinson, originally published in A Hundred Gourds 5:3, June 2016

Acceptances at A Hundred Gourds

A Hundred Gourds has been one of the best international haiku journals since it began five years ago. This June, the online journal will publish its final issue (5:3). I decided to pull a submission together one last time for a journal that has been very good to me. Tonight I heard from editor Lorin Ford that I will have two haiku in the final issue to appear in June. Here is a list of all the issues of A Hundred Gourds in which my work appears (25 poems in all, including the two pending publication in June):

A Hundred Gourds 1:1, December 2011 (4); A Hundred Gourds 2:1, December 2012 (5); A Hundred Gourds 3:1, December 2013 (3); A Hundred Gourds 3:2, March 2014 (3); A Hundred Gourds 3:4, September 2014 (3); A Hundred Gourds 4:3, June 2015 (3); A Hundred Gourds 5:1, December 2015 (2); A Hundred Gourds 5:3, June 2016 (2).

Grateful thanks to Lorin Ford for reading (and publishing) so much of my work over the years. I wish her and the rest of the editorial team all the best.

Rewind: Haiku Highlights from 2015

Notebooks used in 2015. The five small Moleskine's contain nothing but haiku and drafts of haiku. The six Field Notes notebooks contain some haiku and other writing.

Notebooks used in 2015. The five small Moleskine notebooks contain nothing but haiku and drafts of haiku. The six Field Notes notebooks contain some haiku and other jottings.

As each year comes to a close, I like to look back at what I accomplished with my haiku writing. This helps to settle any doubt as to what I got done over the last twelve months, and it helps me figure out where the writing is going, if anywhere, in the coming year.

I like facts and figures and lists. I like to arrange things in front of me. So I found it fun to make a list of the places I published work in 2015. But I didn’t stop there. I broke the list into more detailed lists: places where my work appeared for the very first time, places where work was reprinted. And then the figures: how many new poems did I publish this year, how many poems were reprinted, how many did I publish in this journal or that, how many poems are still awaiting publication, how many haiku and related poems have I published since I started writing them in 2002?

Information like this doesn’t really do me any good. I think it’s a mistake to try to compare one year’s figures to the next in an attempt to glean any useful information. I just find it fun to look at the numbers.

Despite the fact that 2015 is book-ended by droughts in my writing, I still managed to publish 40 new haiku. It’s been many years since I pulled off a number like that. So what does this mean to me? When I found myself writing, I was writing some good stuff, and a lot of it. I’m not sure it should mean anything more than that. As for the droughts, I can say with certainty the causes were/are busyness and laziness. I really shouldn’t call these intervals of little writing droughts because to me they’re more like a field left fallow for a season. These are intervals of renewal.

So let’s talk lists and numbers. I published 40 new haiku in 2015. I published those haiku in the following places: Acorn (1), Akitsu Quarterly (3), Beyond the Grave: Contemporary Afterlife Haiku (Middle Island Press) (4), bottle rockets (1 sequence of 5 haiku), cattails (2), The Deep End of the Sky (Turtle Light Press) (1), Frogpond (2), Frozen Butterfly (1), The Heron’s Nest (4), A Hundred Gourds (5), Mariposa (1), Modern Haiku (2), muttering thunder (2), Presence (2), Under the Basho (4), Wild Plum (1). Of these, the journals publishing my work for the very first time are: Akitsu Quarterly, cattails, Frozen Butterfly, Under the Basho, and Wild Plum.

I’m a big fan of getting my work reprinted. It’s a great way to get my writing in front of readers who may not have seen it the first time. 2015 was no exception. I had work reprinted in the following places: Charlotte Digregorio’s Writer’s Blog (6), Nest Feathers: Selected Haiku from the First Fifteen Years of The Heron’s Nest (The Heron’s Nest) (5), A Vast Sky: An Anthology of Contemporary World Haiku (Tancho Press) (1), Haiku 2015 (Modern Haiku Press) (1), big data: The Red Moon Anthology of English-Language Haiku 2014 (Red Moon Press) (1), Like the Pumpkins (The Befuddled Press) (1), A Splash of Water: Haiku Society of America Members’ Anthology (Haiku Society of America) (1), EarthRise Rolling Haiku Collaboration (The Haiku Foundation) (1), With Words Summer Haiku Competition (joint 1st place plus other highly commended and commended haiku).

On top of having 40 new poems find their way into the world (that’s the nuts and bolts of this whole operation), the most exciting publication of 2015 was The Deep End of the Sky, my third collection of haiku. With the help of Rick Black at Turtle Light Press, my third contest-winning collection was released last May and has received numerous positive reviews. Because of the publication of my book, I started this blog in January 2015 as a way to promote the book and my writing in general. I also joined Facebook with personal and writer profiles. Later in the year, I joined Twitter, but I have yet to pen my first tweet. A number of interviews with the Pierre Capital Journal resulted from the publication of The Deep End of the Sky as well as a reading I gave to the South Dakota Arts Council’s Tales on the River series in August. Yet another interview with Rick Black appeared a question or two at a time on Facebook in the fall.

And in addition to the writing and publishing, I completed my second year as a panelist for The Haiku Foundation’s Touchstone Distinguished Book Awards.

Fast Forward to 2016

In January, this blog will celebrate its first birthday. I am looking forward to my third and final year as a panelist for The Haiku Foundation’s Touchstone Distinguished Book Awards. On the publishing front, I have one new haiku awaiting publication in bottle rockets. And on Christmas Eve I received word from Jim Kacian that I will have a haiku reprinted in galaxy of dust: The Red Moon Anthology of English-Language Haiku 2015 (Red Moon Press, 2016). Also, I plan on submitting The Deep End of the Sky to the Haiku Society of America’s Merit Book Awards.

I guess the only other thing will be to WRITE MY ASS OFF. Oh, and reach that major milestone I mentioned a couple times before. I am this close . . .

Thanks

I’d like to say thanks to everyone who bought a copy or copies of The Deep End of the Sky, and also to the local shops who helped me sell copies: Korner Grocery, The Heritage Store at the South Dakota Cultural Heritage Center and Museum, and Prairie Pages Bookseller. And thanks to those who took the time to check out this blog or one of my Facebook pages. I hope you keep coming back!

New Haiku Released in A Hundred Gourds

A Hundred Gourds has released its newest issue today, including two haiku of mine that you can read below. I hope these are enough to turn your attention to the rest of the issue. All you gotta do is click the link. Many thanks to Lorin Ford for accepting and publishing these.

first robin . . .
a baseball rolls out
of my glove

stick pony race
a butterfly changes
course

both by Chad Lee Robinson, originally published in A Hundred Gourds 5:1, December 2015

On a Roll

This morning I heard from the editor of Modern Haiku who has accepted two haiku from my recent submission. This means I have reached all my writing goals for the year, and it’s only July! This is very unusual as I tend to pace myself in order to make my goals more manageable and to not put too much pressure on myself to write more than I am able or have time for. Not only that, I also do it to try to eliminate unnecessary disappointment. Writing, and finding time for it, is hard enough as it is. I don’t need to make it harder. Anyway, this year my writing has been a bit more like it was when I I first started publishing haiku. This year I’ve written enough material to allow me to submit widely, and often. I have placed haiku in all the usual, top-notch journals plus a couple new ones. I’ve had work published in Acorn, Akitsu Quarterly, Frogpond, Mariposa, The Heron’s Nest, A Hundred Gourds, and more work is forthcoming in bottle rockets, Modern Haiku, muttering thunder and Wild Plum. All of this on top of seeing my contest-winning collection The Deep End of the Sky published by Turtle Light Press. Any new work that’s accepted now through the end of 2015 is just icing on the cake, and will bring me closer to a major milestone (for me, anyway). I won’t say what that is until it happens. I don’t want to jinx it. But for now it seems I’m on a roll.

Recent Acceptances

I am happy to announce that the editor of Mariposa, journal of the Haiku Poets of Northern California, recently accepted a brand new haiku of mine for issue #32, due out this spring.

I will also have a new haiku in the spring issue of Acorn as well as four new haiku in Robert Epstein’s forthcoming anthology about the afterlife. And I mentioned before in my “Home Early” post that my forthcoming collection The Deep End of the Sky will have one previously unpublished haiku in it.

Even though it’s only mid-March, I am behind on my writing goals for the year, but I have some submissions still under consideration. If all goes well with those, I hope to be back on track by this time next month.

UPDATE 3/18

Just heard back from A Hundred Gourds, and I will have three new haiku in the June issue!