The Heron’s Nest and Other Forthcoming Work

It’s always a good day when you have new work accepted for publication in The Heron’s Nest. I will have two new haiku published in the September issue. Many thanks to the editors for selecting my work.

I also have new work forthcoming in the following places: Frogpond (two haiku), hedgerow (one haiku, one tanka), and Jim Kacian’s Haiku in the Workplace column (one haiku). Many thanks to all the editors!

Haiku in the Workplace and Recent Acceptances

I am pleased to announce that I have had another haiku published in Jim Kacian’s Haiku in the Workplace column just today. The theme this time around is “the first day at the new job.” With thanks to Jim, here is my offering:

first day at the new job–
a rubber spider
in the desk drawer

Recent acceptances include haiku and tanka that will appear in three separate issues of hedgerow: a journal of small poems. Many thanks to Caroline Skanne!

Haiku in the Workplace

Jim Kacian’s weekly column Haiku in the Workplace continues over at The Haiku Foundation. I am delighted to have a brand new haiku included in this week’s column which is all about the boss’s spouse. Here is my contribution:

to hear the hired hand
talk about horses . . .
the boss’s wife

Many thanks to Jim Kacian for including my poem. If you’re looking for a fun and interesting read, check out this column every Wednesday at The Haiku Foundation.

Pop Bottles: Book of the Week

pop-bottles-cover-imagePop Bottles, my first chapbook of haiku published by True Vine Press in 2009, is the book of the week at The Haiku Foundation. You can read it online or you can download it, all for free from The Haiku Foundation’s digital library.

Pop Bottles won the 2009 True Vine Press Chapbook contest. Chapbook manuscripts were to have a summer theme. Judges were an’ya, Gary Hotham and Tony Thompson. According to my notes, the contest received more than 50 entries.  For the win, I received $20.00 plus 20 copies of the chapbook (cha-ching!). Due to an error in the opening haiku, which was corrected, I received another 25 copies. Other finalists were Michael McClintock, Sandra Simpson, Elliot Nicely and Darrell Lindsey. Original cover art by Ron Moss.

Shortly after the publication of Pop Bottles, True Vine Press ceased operations which included closing the doors to Wisteria, a haiku, senryu and tanka journal edited by Tony Thompson. I don’t know how many copies of Pop Bottles were ultimately printed, but it’s probably safe to say that there weren’t many more copies than the 45 I ended up with. Over the years I’ve either sold or given away almost all the copies I have. So, if you are one of the lucky few who owns a copy, hang on to it. Keep it in a protective sleeve like your favorite baseball card. Personally, I keep my remaining copies in a fire and water proof vault that requires both fingerprint and retinal scans to gain entry. Seriously though, I am excited that Pop Bottles is in front of a much bigger audience than its original print run. So many more people will be able to enjoy it now.

Thanks to The Haiku Foundation, Jim Kacian, and THF librarian Garry Eaton for including my chapbook in the digital library and for featuring it as book of the week.

dust devils: The Red Moon Anthology Released

dustdevilsrma2016Red Moon Press has released dust devils: The Red Moon Anthology of English-Language Haiku 2016 which collects the best haiku and related writing published in 2016. I am delighted and honored to have two haiku included. The annual Red Moon Anthology series began with the 1996 volume, and dust devils is the 21st edition. I am fortunate to have had work voted into thirteen volumes of this award-winning series. Many thanks to Jim Kacian and the Red Moon Editorial Team. I would also like to thank Cherie Hunter Day and the members of the Route 9 Haiku Group for publishing these poems first.

Here are my two contributions to dust devils:

Indian summer
a childhood nickname
catches up with me

Upstate Dim Sum 2016/II

 

restringing fence wire–
the meadowlark’s song one post
ahead of the wind

Mariposa 35, Autumn/Winter 2016

Haiku Voted into Next Red Moon Anthology

I am very happy to share that the staff of the annual Red Moon Anthology series has voted to include two haiku of mine into the next Red Moon anthology titled dust devils. The goal of the Red Moon Anthology series is to gather the best haiku and related writing in one place for each calendar year. It is an honor to be included. Thanks Jim Kacian and the Red Moon Editorial Staff!

Rewind: Haiku Highlights from 2016

I’ve been having a hard time saying what I want to say about 2016. I accomplished some great things with my haiku writing, but the echo of certain failures from year to year are starting to get to me. So I will do my best to keep any negative feelings I’m holding right now out of this highlight reel and keep this as straight forward as I can.

I published 38 new poems (37 haiku and senryu, and 1 tanka) in the following places: Acorn, Akitsu Quarterly, bottle rockets, Failed Haiku, Frogpond, Haikuniverse, hedgerow, The Heron’s Nest, A Hundred Gourds, Mariposa, Otata, Sonic Boom, Under the Basho, and Upstate Dim Sum.  Six of these places I published in for the first time in 2016: Failed Haiku, Haikuniverse, hedgerow, Otata, Sonic Boom, and Upstate Dim Sum.

I republished some poems this year in the following places: galaxy of dust: The Red Moon Anthology of English-Language Haiku 2015 (Red Moon Press, 2016); naad anunaad: an anthology of contemporary world haiku (Vishwakarma Publications, 2016); Full of Moonlight: Haiku Society of America Members’ Anthology 2016 (Haiku Society of America, 2016), The Haiku Calendar 2017 (Snapshot Press, 2016); Charlotte Digregorio’s Writers’ Blog; and in two columns at The Haiku Foundation: Haiku in the Workplace and reVirals.

I did receive some awards in 2016. I had one winner and one runner-up in Snapshot Press’s Haiku Calendar Competition. It’s always an honor to be included in that one. Also I was one of the “other popular poets” in The Heron’s Nest Readers’ Choice Awards, and I had a poem in the “other popular poems” part of those same awards. And this one-liner of mine

in a rush to reach stillness whitewater

was shortlisted for a Touchstone Award for Individual Poems from The Haiku Foundation.

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On top of that, my book The Deep End of the Sky (Turtle Light Press, 2015) received second place in the Haiku Society of America Merit Book Awards for 2016. Not too shabby.

 

 

Placing in the Merit Book Awards is definitely one I can cross off the haiku bucket list. But so is being the Route 9 Haiku Group’s guest poet in Upstate Dim Sum. When I scan the list of previous guest poets, I don’t really feel like I should be among such an outstanding group of haiku poets, but I am honored and grateful and excited to be there.

Looking forward to 2017, I have one haiku accepted for publication in Modern Haiku. And I have yet to find out if any of my work has been voted into the next Red Moon Anthology, so fingers crossed I will have work voted in.

I am grateful to (still) be writing and publishing. I appreciate every opportunity I had in 2016, and hope 2017 will bring many more haiku moments to share.

Happy New Year

Haiku in the Workplace

Jim Kacian’s new column over at The Haiku Foundation explores the workplace in haiku. The theme for this week’s installment is “the boss”. Read the column here, and be sure to read through  the haiku at the end of the column which includes this one of mine:

singing to me
a honey-do list —
morning meadowlark

Chad Lee Robinson, A Hundred Gourds 5:3, 2016

Many thanks to Jim Kacian for including my haiku.

The Deep End of the Sky at Red Moon Press

Pageflex Persona [document: PRS0000032_00006]Great news today: The Deep End of the Sky is now available for purchase at Red Moon Press! It’s exciting to watch my book slowly make its way into the world. With the help of Turtle Light Press, Red Moon Press, and a few local shops right here in Pierre, SD, lovers of haiku and poetry can enjoy The Deep End of the Sky. I will also mention that Red Moon Press has just released a handful of new haiku books, so if you’ve been waiting to buy a copy of The Deep End of the Sky, now you can get it along with some other brand new Red Moon Press titles. Here’s a link to read Alan Summers’ short but satisfying review of my book at Red Moon Press. Many thanks to Rick Black and Jim Kacian, and to all who’ve purchased a copy of The Deep End of the Sky.

FYI. You can still purchase The Deep End of the Sky from Turtle Light Press, The Book Depository, Amazon, or directly from me.