January and February Haiku News

A month and a half into 2018 already. I wish I could tell you that I’ve been writing my ass off. Unfortunately, I haven’t been writing much. Submission deadlines are coming and going, and I’ve got nothing.¬†Despite the drought, I do have some news to share.

In early January the editors of The Heron’s Nest accepted a haiku of mine for the March issue.

kjmunro, editor of the new haiku column at The Haiku Foundation called windows, accepted and published a one-liner of mine for the very first installment of the column. The theme for that installment was the kitchen window.  Here is my contribution:

my mother in every kitchen window

I’ve also had two haiku reprinted. Late in 2017 a haiku of mine that appears in the essay 100 Years of Haiku in the United States: An Overview by Jim Kacian was published in a book of essays on the development of English-language haiku called American Haiku: New Readings (Lexington Books, 2017), edited by Toru Kiuchi.

one of the wolves
shows its face
firelight

The other reprint is a haiku from last year that appears in old song: The Red Moon Anthology of English-Language Haiku 2017 (Red Moon Press, 2018). This haiku originally appeared in The Heron’s Nest:

prairie storm
the darkness disperses
as buffalo

On Valentine’s Day, The Heron’s Nest announced its Readers’ Choice Awards. The haiku I published in The Heron’s Nest in 2017 received enough votes to place me among “other popular poets”. Many thanks to those who gave my haiku some votes.

And finally, my very first chapbook of haiku, Pop Bottles, is now sold out. I will probably reprint it in some way in the future, but I haven’t yet made any decisions on that yet.

That’s all for now. Hopefully I can kickstart the writing and have some acceptances soon.

All poems copyright Chad Lee Robinson

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Rewind: Haiku Highlights from 2017

It’s hard to believe 2017 is over. Each year seems to go by faster than the one before. It’s harder to believe that this is the third Rewind post I’ve written.

notebooks used in 2017

2017 was another successful year for my writing. I met all my writing goals by July, and even met my extended goals. I published 36 new poems in 2017 (31 haiku and senryu, and 5 tanka) in the following places: Acorn (1), Akitsu Quarterly (3), Frogpond (2), Golden Haiku Contest (1), Gusts (3), Haiku in the Workplace (9), Haikuniverse (1), hedgerow (3), The Heron’s Nest (5), Mariposa (2), Modern Haiku (1), Shamrock (4), and Stardust (1).

A good portion of my new material appeared in Jim Kacian’s column Haiku in the Workplace, which just recently ended. While I’m sad to see the column go, I hope the new one, Haiku Windows, edited by poet kjmunro, will be as inspiring.

One of my goals every year is to publish in one venue I’ve never published in before. In 2017, I had work published in two such places, Gusts, a tanka journal, and Stardust. I submitted to a couple of other journals I’ve not previously published in, but both of those submissions were rejected in their entirety.

In February I learned, much to my surprise, that a haiku I submitted to the Golden Haiku Contest received a runner-up award. In this contest, the winners and runners-up are printed on signs and placed in flowerbeds in certain neighborhoods of Washington D.C.. Due to one reason or another I can’t recall, I don’t think all of the chosen haiku made it out to the streets. If the pics of the haiku signs on the Golden Triangle website are any indication, then it seems my haiku did not make it to a flower bed. Despite this, I am still happy to have had a haiku chosen for a contest. In April, I was honored to have a haiku shortlisted for a Touchstone Award for Individual Poems. I am most certainly grateful.

I republished work in four different anthologies in 2017. The first was in dust devils: the Red Moon Anthology of English-Language Haiku 2016 (Red Moon Press, 2017), followed by on down the road: Haiku Society of America Members’ Anthology 2017 (edited by LeRoy Gorman), then The Wonder Code: Discover the Way of Haiku and See the World with New Eyes (Girasole Press, 2017, edited by Scott Mason), and finally They Gave Us Life: Celebrating Mothers, Fathers & Others in Haiku (Middle Island Press, 2017, edited by Robert Epstein).

Looking ahead to 2018, I will have a poem published in the year’s first issue of Frogpond. I have submitted the necessary info and poems to be a part of the Echoes 2 project, which will be a sort of update on all the haiku poets who have appeared in a volume of Red Moon Press’s A New Resonance series. Last July I began work on my fourth collection of haiku which carries the working title of The White Buffalo. I’m hoping this one won’t take ten years to put together like The Deep End of the Sky did! No matter what, it will be a long process, and I’ve only just begun.

Last September, it had been 15 years since I sat in that windowless classroom at South Dakota State University where David Allan Evans (then poet laureate of SD) wrote a haiku by Basho on the eraser board. I will always be grateful to Professor Evans for including haiku in his creative writing class. I was in the right place that day.

So this New Year’s Eve, where ever you are, raise a glass with me

to fifteen more . . .

Just a few favorites from 2017:

prairie storm
the darkness disperses
as buffalo

The Heron’s Nest XIX:3, September 2017
*

straightness of the bean rows–
a simple nod
from my father

Haiku in the Workplace: A Job Well Done (The Haiku Foundation, June 2017)
*

rustle of corn leaves–
fitting my son
for a new ball glove

The Heron’s Nest XIX:4, December 2017

All poems copyright Chad Lee Robinson

October Haiku News

Since my last post at the end of September, I had a haiku accepted for the December issue of The Heron’s Nest. Many thanks to the editors for selecting my work.

I have also had a couple poems published in the Haiku in the Workplace column written and edited by Jim Kacian for The Haiku Foundation. One appeared under the theme of “dawn in the office”:

dawn
the tractor’s seat
warms up to me

And just today, this one was published under the theme “in the stationery cupboard”:

in the stationery closet
the stacked
receptionist

Many thanks to Jim Kacian for selecting my work for his column.

And an old poem of mine appeared on Chen-ou Liu’s NeverEnding Story blog as part of a Canadian Thanksgiving special feature. I only wish he had asked my permission before using my work. This one first appeared many years ago in Simply Haiku:

Thanksgiving alone
a turkey pot pie
in the microwave

All poems above are by Chad Lee Robinson

End of Summer Haiku Roundup

September has shaped up to be a pretty good month for haiku. Cherie Hunter Day accepted two poems for this fall’s issue of Mariposa. Jim Kacian published another one of my poems written in response to the “sick day” prompt for his weekly column Haiku in the Workplace over at the Haiku Foundation.

found
at a rummage sale
the one who called in sick

The summer print issue (#120) of hedgerow: a journal of small poems has finally been published, and I am pleased to have this poem included (with thanks to editor Caroline Skanne for the selection):

the arch
of her back . . .
dune roses

And this week I received my copy of the Haiku Society of America’s members’ anthology on down the road edited by LeRoy Gorman. He selected this one of mine that was originally published in Mariposa:

restringing fence wire–
the meadowlark’s song one post
ahead of the wind

Many thanks to all the editors and publishers!

All poems above by Chad Lee Robinson

The Heron’s Nest and Other Forthcoming Work

It’s always a good day when you have new work accepted for publication in The Heron’s Nest. I will have two new haiku published in the September issue. Many thanks to the editors for selecting my work.

I also have new work forthcoming in the following places: Frogpond (two haiku), hedgerow (one haiku, one tanka), and Jim Kacian’s Haiku in the Workplace column (one haiku). Many thanks to all the editors!

Haiku in the Workplace and Recent Acceptances

I am pleased to announce that I have had another haiku published in Jim Kacian’s Haiku in the Workplace column just today. The theme this time around is “the first day at the new job.” With thanks to Jim, here is my offering:

first day at the new job–
a rubber spider
in the desk drawer

Recent acceptances include haiku and tanka that will appear in three separate issues of hedgerow: a journal of small poems. Many thanks to Caroline Skanne!

Haiku in the Workplace

Jim Kacian’s weekly column Haiku in the Workplace continues over at The Haiku Foundation. I am delighted to have a brand new haiku included in this week’s column which is all about the boss’s spouse. Here is my contribution:

to hear the hired hand
talk about horses . . .
the boss’s wife

Many thanks to Jim Kacian for including my poem. If you’re looking for a fun and interesting read, check out this column every Wednesday at The Haiku Foundation.